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	<title>i hate the sound of guitars &#187; 1998</title>
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	<link>http://www.ihatethesoundofguitars.com</link>
	<description>an expat dc punk in massachusetts</description>
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		<title>Blue &#214;yster Cult &#8211; Heaven Forbid</title>
		<link>http://www.ihatethesoundofguitars.com/content/alph/b/blue-yster-cult-heaven-forbid/</link>
		<comments>http://www.ihatethesoundofguitars.com/content/alph/b/blue-yster-cult-heaven-forbid/#comments</comments>
		<pubDate>Thu, 20 Dec 2007 16:48:42 +0000</pubDate>
		<dc:creator>guitarlover</dc:creator>
				<category><![CDATA[1998]]></category>
		<category><![CDATA[b]]></category>
		<category><![CDATA[columbia]]></category>
		<category><![CDATA[hard rock]]></category>

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		<description><![CDATA[And now for something else completely different, taking up the gauntlet thrown by my pals Jestaplero and Flasshe,  a subjective evaluation of the relative merits of a non-comprehensive selection of Blue &#214;yster Cult records, starting with the one that&#8217;s probably at the bottom of my pile, 1998&#8217;s  Heaven Forbid.
Novelist John Shirley titled his [...]]]></description>
			<content:encoded><![CDATA[<p>And now for something <em>else</em> completely different, taking up the gauntlet thrown by my pals <a class="ext external" href="http://jestaplero.blogspot.com/">Jestaplero</a> and <a class="ext external" href="http://www.flasshe.com/">Flasshe</a>,  a subjective evaluation of the relative merits of a non-comprehensive selection of Blue &Ouml;yster Cult records, starting with the one that&#8217;s probably at the bottom of my pile, 1998&#8217;s <cite> Heaven Forbid</cite>.</p>
<p>Novelist John Shirley titled his first book, <cite>Transmaniacon</cite>, after a B&Ouml;C tune; presumably working with the band as a guest lyricist must have been a dream come true for him. Unfortunately, it didn&#8217;t make for a good record. <cite>Heaven Forbid</cite> starts promisingly with &#8220;See You In Black,&#8221; which is creepy and vicious, yet simultaneously, oddly heartwarming &#8212; it&#8217;s basically an anti-domestic violence number, but sung from the decidedly un-PC perspective of wishing ill upon the abuser. &#8220;Harvest Moon&#8221; is primo Buck Dharma &#8212; sweetly melancholic and effortlessly melodic. I love the line &#8220;young people feeling restless, old people feeling old.&#8221;</p>
<p>But after that, the album sinks into a morass of plodding, sadly unimaginative rockers that are both stagy and stodgy.  &#8220;Hammer Back&#8221; and &#8220;Power Underneath Despair&#8221; feel much more forced than, say, &#8220;Career of Evil&#8221; or &#8220;Cagey Cretins,&#8221; partly because their lyrics traverse well-traveled country, but also because they&#8217;re not very hooky. Buck Dharma&#8217;s sparkling, fluid solos almost redeem a few of these songs, but not quite.  A spare live version of &#8220;In Thee&#8221; (originally from 1979&#8217;s <cite>Mirrors</cite>) closes the record; it&#8217;s no insult to the original version, but it&#8217;s no essential reinterpretation, either.</p>
<p>Star rating: 1.36</p>
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