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	<title>i hate the sound of guitars &#187; 1988</title>
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	<description>an expat dc punk in massachusetts</description>
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		<title>Blue &#214;yster Cult &#8211; Imaginos</title>
		<link>http://www.ihatethesoundofguitars.com/content/alph/b/blue-yster-cult-imaginos/</link>
		<comments>http://www.ihatethesoundofguitars.com/content/alph/b/blue-yster-cult-imaginos/#comments</comments>
		<pubDate>Thu, 20 Dec 2007 22:57:26 +0000</pubDate>
		<dc:creator>guitarlover</dc:creator>
				<category><![CDATA[1988]]></category>
		<category><![CDATA[b]]></category>
		<category><![CDATA[columbia]]></category>
		<category><![CDATA[hard rock]]></category>

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		<description><![CDATA[Fair warning: Imaginos not only has a storyline, it has snippets of dialogue interwoven into some of the songs. Every track is at least 5 minutes long. &#8220;Overblown&#8221; doesn&#8217;t do justice to the arrangements; there are several guest lead vocalists, and for a band with such serious guitar chops, there&#8217;s a befuddling proliferation of stunt [...]]]></description>
			<content:encoded><![CDATA[<p>Fair warning: <cite>Imaginos</cite> not only has a storyline, it has <em>snippets of dialogue</em> interwoven into some of the songs. Every track is at least 5 minutes long. &#8220;Overblown&#8221; doesn&#8217;t do justice to the arrangements; there are several guest lead vocalists, and for a band with such serious guitar chops, there&#8217;s a befuddling proliferation of stunt shredders, including Joe Satriani and Aldo Nova. The hired-gun rhythm section of Kenny Aaronson and Thommy Price have a mile of recording credits between them, but here they sound uninspired and more than a little stiff (to be fair, they had enormous shoals of guitar tracks, keyboard beds, and backing vocals to steer around; maybe less was more). The production is definitely dated, particularly the ghastly drum reverb. Finally, 2 (of 9) songs are reinventions of tracks from the band&#8217;s finest hour, <cite>Secret Treaties</cite>; neither improves on the original.</p>
<p>If you can get past its flaws, however, <cite>Imaginos</cite> represents a substantial recovery from the disastrous <cite>Club Ninja</cite>, and it&#8217;s arguably the strongest B&Ouml;C outing after the ouster of the original rhythm section. Perhaps not coincidentally, the <cite>Imaginos</cite> sessions allegedly began as a solo album for ex-drummer Albert Bouchard, and the song cycle (of which the released album is supposedly only a fraction) was cooked up with B&Ouml;C&#8217;s pleasantly-demented Svangali figure, Sandy Pearlman, starting in the early 70&#8217;s. (The <a class="ext external" href="http://en.wikipedia.org/wiki/Imaginos">wikipedia article on Imaginos</a> has the bare bones of the album&#8217;s convoluted history, but currently omits to mention any of the epic mudslinging I&#8217;ve heard described.)</p>
<p>You can&#8217;t really follow the story by listening to the album, which is probably for the best. You can read a plot summary at the wikipedia entry referenced above, but I recommend against it. It&#8217;s all about secret mysterious forces, after all, and I think it benefits from being as murky and ill-defined as possible. Vaguely spooky mumbo-jumbo like, &#8220;seven years of labor for the instruments of time&#8221; is more evocative if you know less about what it specifically refers to.</p>
<p>Despite the strikes against it, <cite>Imaginos</cite> offers at least two bonafide classics of the B&Ouml;C canon, &#8220;In the Presence of Another World&#8221; and &#8220;Del Rio&#8217;s Song.&#8221; The former is almost reminiscent of occult goths Fields of the Nephilim, with its darkly swirling arpeggios and concluding, heavily-processed, horror movie vocals. The latter, by contrast, sounds of a piece with the band&#8217;s masterful first three records; the verse and chorus hooks are easily strong enough to stop the plot-advancing midsection from dragging it down. And if <cite>Imaginos</cite> offers only two real peaks, the lows aren&#8217;t so bad. Only the closing title track makes my skip finger itchy, partly because of the dumb chorus (&#8221;Ooh Imaginos, ooh Imaginos&#8221;) but mostly because of Jon Roger&#8217;s grating lead vocal. (It&#8217;s perhaps worth noting that neither Joey Cerisano&#8217;s stereotypical metal screech*, the overlong outro, nor the unwieldy title quite ruin &#8220;The Siege and Investiture of Baron von Frankenstein&#8217;s Castle at Weisseria&#8221; for me.)</p>
<p>Star rating: 2.11</p>
<p><small>*Cerisano&#8217;s vocal credits include B&Ouml;C, Korn, and <em>Michael Bolton</em>. Ye gods preserve us.</small></p>
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