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	<title>i hate the sound of guitars &#187; metropolis</title>
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	<description>an expat dc punk in massachusetts</description>
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		<title>Epoxies &#8211; My New World</title>
		<link>http://www.ihatethesoundofguitars.com/content/alph/e/epoxies-my-new-world/</link>
		<comments>http://www.ihatethesoundofguitars.com/content/alph/e/epoxies-my-new-world/#comments</comments>
		<pubDate>Sun, 16 Sep 2007 20:32:11 +0000</pubDate>
		<dc:creator>guitarlover</dc:creator>
				<category><![CDATA[e]]></category>
		<category><![CDATA[metropolis]]></category>
		<category><![CDATA[new wave]]></category>

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		<description><![CDATA[Yes, it&#8217;s time for another dispatch from the retro-future of The Epoxies. The title track is a brooding apocalypse-celebrating number on which virtually all the instruments drip with distortion; the touchstone here is the spooky intersection of new wave, punk, and goth &#8212; a bit like Killing Joke, but it reminds me even more of [...]]]></description>
			<content:encoded><![CDATA[<p>Yes, it&#8217;s time for another dispatch from the retro-future of The Epoxies. The title track is a brooding apocalypse-celebrating number on which virtually all the instruments drip with distortion; the touchstone here is the spooky intersection of new wave, punk, and goth &#8212; a bit like Killing Joke, but it reminds me even more of something I can&#8217;t quite put my finger on. <ins datetime="2008-01-13T16:34:27+00:00">(I finally figured it out! 45 Grave)</ins> &#8220;Here in the Dark&#8221; cheeses it up dead-on faux-Holly-Knight stylee (you might not know Knight&#8217;s name, but her military metaphor love songs were all over the 80&#8217;s airwaves: Pat Benatar&#8217;s &#8220;Love is a Battlefield&#8221; and &#8220;Invincible,&#8221; and Patty Smythe&#8217;s &#8220;The Warrior&#8221; among them). &#8220;Crystal Clear&#8221; is a track from an alternate-universe Blondie album recorded in between <cite>Plastic Letters</cite> and <cite>Parallel Lines</cite>. Plenty of careers have been built on copping some Debbie Harry &#8216;tude, but by extending the sincerity of their flattery to include I-swear-that&#8217;s-Clem-Burke drum fills, The Epoxies transcend the merely derivative. &#8220;Products&#8221; cranks up both the jitter-factor and the social consciousness; it ought to sit cheek-by-jowl on a mix with the Buzzcocks&#8217; &#8220;Credit&#8221; from last year&#8217;s underrated <cite>Flat-Pack Philosophy</cite>, and it&#8217;s a strong contender for my 2007 year&#8217;s best songs list. &#8220;Tragedy&#8221; is a speedy cover of The Wipers&#8217; tune that amply demonstrates that The Epoxies can rock even without synthesizers. It&#8217;s fun and all, but I actually rather have another original in its place, which is saying something.<br />
My primary criticism of this EP is that I wish there were more of it &#8212; you can play it twice in the space of half an hour and have time left over. </p>
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